
Angie Randisi is a highly acclaimed recording engineer and mixer from Canada, with three Grammy nominations and multiple platinum records to her name. Known for her technical prowess and keen ear, Angie has worked with some of the biggest names in the industry, including Lil Baby, Young Thug, Tory Lanez, 42 Dugg, Glorilla, and PartyNextDoor.

Josh Rogosin defined the tiny desk sound and has recorded and mixed over 800 shows, including Taylor Swift, Sting and Shaggy, Anderson .Paak, Mac Miller, Nile Rogers, and Bono and the Edge. His mixes have been heard on YouTube over a billion times. Now he’s introducing Global Sound and Ghost Light Concerts, traveling the world to discover how location inspires people to make music.

Li-sa-X is a Japanese female Guitarist/Composer who was born in 2005. Her cover video of RACER X's "Scarified," which she posted when she was 8 years old, garnered more than 5 million views and attracted a lot of worldwide attention. After watching this video, the composer of the song Paul Gilbert (MR. BIG) invited her to join his online guitar school as a scholarship student. She made her professional debut at the age of 12. Her playing technique has been described as “the future of rock."

Santaflow is an artist, composer, producer, entrepreneur, teacher and showman, politically incorrect and with millions of followers around the world (mainly in Spanish-speaking countries). After more than 20 years of career, he feels fitter and more eager than ever to continue creating songs and making them sound better every day. A restless lover of the world of sound, he works with several of the leading brands in the sector.
April 30, 2019
One of the founding members of London’s Metropolis Mastering and a career in music spanning over four decades, Tony Cousins is the man responsible for the mastering of hundreds of your favourite albums - you just didn’t know it! He has mastered the work of artists such as Adele, The Verve, Genesis and Elton John to name a few.
Tony said of the LCD4’s "The LCD 4's are just extraordinary. Perhaps they could stand a bit of running in but not because there is anything to particularly indicate this but because most drivers require it. The fear is that they will become even better. I used to say to people with the LCDX that I could wear / listen to them for hours without any fatigue, well the 4's are even better. It's actually hard to believe. One reason for this I think is the evenness of the frequency response, music never sounds strained. What is harsh on the X is more even on the 4. Everything feels joined together at all times and there is not the sense of being enclosed. I really thought the X was the best that I had heard, the 4's are superior."
Learn more about Tony Cousins & Metropolis: http://www.thisismetropolis.com/engineer-focus-tony-cousins & www.thisismetropolis.com
Learn more about Audeze and the LCD-4: www.audeze.com/products/lcd-collection/lcd-4