
Angie Randisi is a highly acclaimed recording engineer and mixer from Canada, with three Grammy nominations and multiple platinum records to her name. Known for her technical prowess and keen ear, Angie has worked with some of the biggest names in the industry, including Lil Baby, Young Thug, Tory Lanez, 42 Dugg, Glorilla, and PartyNextDoor.

Josh Rogosin defined the tiny desk sound and has recorded and mixed over 800 shows, including Taylor Swift, Sting and Shaggy, Anderson .Paak, Mac Miller, Nile Rogers, and Bono and the Edge. His mixes have been heard on YouTube over a billion times. Now he’s introducing Global Sound and Ghost Light Concerts, traveling the world to discover how location inspires people to make music.

Li-sa-X is a Japanese female Guitarist/Composer who was born in 2005. Her cover video of RACER X's "Scarified," which she posted when she was 8 years old, garnered more than 5 million views and attracted a lot of worldwide attention. After watching this video, the composer of the song Paul Gilbert (MR. BIG) invited her to join his online guitar school as a scholarship student. She made her professional debut at the age of 12. Her playing technique has been described as “the future of rock."

Santaflow is an artist, composer, producer, entrepreneur, teacher and showman, politically incorrect and with millions of followers around the world (mainly in Spanish-speaking countries). After more than 20 years of career, he feels fitter and more eager than ever to continue creating songs and making them sound better every day. A restless lover of the world of sound, he works with several of the leading brands in the sector.
November 30, 2021
"The low end of the LCD-5 is not emphasized but has good speed and texture and enough impact to be pleasing without becoming a distraction from the rest of the music. These are not bass monsters if that’s what you are looking for; the emphasis is on definition and speed which you can clearly hear with different types of percussion.
The low end impact on the LCD-4 was stronger by comparison but the LCD-5 is tighter and more textured. The mid bass is extremely detailed but again while slam is there when called for, it doesn’t take over or obscure any other detail in the music.
Typical of Audeze tuning, there is a gradual rise to the lower midrange which I really like as it improves the weight of lower voiced instruments and improves vocals as well. This is where I really think the LCD-5 shines as strings have wonderful timbre and energy and there is an organic nature to the sound that makes you sit up and engage emotionally with the music.
Not only is the midrange well nuanced and textured, but it benefits from the fantastic speed of the new driver and you really get a feel for just how cleanly instruments are separated and transients are resolved when you feed the LCD-5 a piece of music other headphones stumble on.
If you’re looking to build a state-of-the-art headphone system, the LCD-5 is a mandatory audition for sure."