Rayshaun Thompson is a film composer, record producer and EMMY nominee whose work spans a wide spectrum, but always aims to stir emotions and create a strong vibe.
Chris Henderson is the owner and designer for Hendyamps studio gear and guitar amplifiers, a platinum certified mastering engineer, musician, music sync artist, score composer, studio owner, and videographer.
David Sanford has composed, arranged and studied music for over 45 years and is currently the Elizabeth T. Kennan Professor of Music at Mount Holyoke College.
Claudia Engelhart has been doing live sound for over 40 years, and has been the Sound Engineer/Tour Manager for Bill Frisell since 1990.
May 06, 2023
Lucas Romano is a record producer/mix and mastering engineer that has worked with artists such as Alan Sutton y las criaturitas de la ansiedad, Maria Becerra, Nico Sorín, Koino Yokan, Santi Muk and more. His main goal is always to get the best sound of each production, and he loves to work with a lot of music genres.
Rec/Mix: "Tutank'mon" (Alan Sutton y las criaturitas de la ansiedad)
Mix: "Sinfonía Antártica" (Nico Sorín)
Production/Mix: "So Wet" (Mas Que Uno. feat Chocolate Remix)
Mix/Mastering: "Rnb" (El Feli)
Mix: "Lo Soñé" (Gon Andrada)
Mastering: "La Forma de Mirarte" (Eloisa)
Mix & mastering engineer are my main roles on most of the projects that I'm working on now.
My journey with the music started playing bass when I was 12 years old. I grew up listening all kind of music (fully influenced by my dad): Genesis, Yes, Red Hot Chili Peppers, Beck, Foo Fighters, Jamiroquai, Aerosmith and more.
After that I started composing and recording my own music and I fell in love with audio engineering.
My influences, when it comes to mixing: Josh Gudwin and Jaycen Joshua, and for mastering: Chris Gehringer. After listening to them I felt very identified with their work.
In my past, sometimes I was really overwhelmed about the amount of work that I had, mainly when it comes to produce a record. Nowadays, I delegate all the editing work so I can be fresh for the mixing stage.
My Telefunken microphone for recording vocals, and for plugins: I use a lot the Oxford Envolution for mixing and Weiss MM-1 Limiter for mastering.
Compete with yourself, not others.
Besides using them to check my mixes and masters, or doing binaural automation in my mixes, I always use my headphones when I record in a studio that I'm not familiar with the monitoring.
The first thing that left me amazed was the amount of detail that I have now in my mixes, and the mid-low it's so clear. For mastering, I can detect better the differences between songs when I am working on an album. And last but not least, I can clearly hear the amount of distortion in a track.
The funny thing is that sometimes I take my LCD-X off because I think that I'm hearing my monitors. I can't believe how close to a good monitor system they sound.
Currently I'm working with 5 artists at the same time: