
Angie Randisi is a highly acclaimed recording engineer and mixer from Canada, with three Grammy nominations and multiple platinum records to her name. Known for her technical prowess and keen ear, Angie has worked with some of the biggest names in the industry, including Lil Baby, Young Thug, Tory Lanez, 42 Dugg, Glorilla, and PartyNextDoor.

Josh Rogosin defined the tiny desk sound and has recorded and mixed over 800 shows, including Taylor Swift, Sting and Shaggy, Anderson .Paak, Mac Miller, Nile Rogers, and Bono and the Edge. His mixes have been heard on YouTube over a billion times. Now he’s introducing Global Sound and Ghost Light Concerts, traveling the world to discover how location inspires people to make music.

Li-sa-X is a Japanese female Guitarist/Composer who was born in 2005. Her cover video of RACER X's "Scarified," which she posted when she was 8 years old, garnered more than 5 million views and attracted a lot of worldwide attention. After watching this video, the composer of the song Paul Gilbert (MR. BIG) invited her to join his online guitar school as a scholarship student. She made her professional debut at the age of 12. Her playing technique has been described as “the future of rock."

Santaflow is an artist, composer, producer, entrepreneur, teacher and showman, politically incorrect and with millions of followers around the world (mainly in Spanish-speaking countries). After more than 20 years of career, he feels fitter and more eager than ever to continue creating songs and making them sound better every day. A restless lover of the world of sound, he works with several of the leading brands in the sector.
September 23, 2020
Our Spanish and Portuguese Distributor Sound & Pixel sits down with Dany Richter of El Lado Izquierdo to talk about the LCD-X and how it fits into his work flow.
"Los auriculares son muy importantes para mi método de trabajo. Siempre comienzo las mezclas en los monitores principales del estudio, y ahí es donde hago la mayor parte del trabajo. Pero cuando las mezclas están avanzadas en un 80 o 90, en esa última parte del proceso, me gusta cambiar mi perspectiva y continuar el trabajo en algunos buenos auriculares de estudio. Este cambio de perspectiva me permite ver con mayor claridad ciertos errores que estaba cometiendo en la mezcla."
"Headphones are very important to my working method. I always start the mixes on the main monitors in the studio, and that's where I do most of the work. But when the mixes advance 80 or 90 percent, in that last part of the process, I like to change my perspective and continue the work on some good studio headphones. This change in perspective allows me to see more clearly certain mistakes I was making in the mix."