
Angie Randisi is a highly acclaimed recording engineer and mixer from Canada, with three Grammy nominations and multiple platinum records to her name. Known for her technical prowess and keen ear, Angie has worked with some of the biggest names in the industry, including Lil Baby, Young Thug, Tory Lanez, 42 Dugg, Glorilla, and PartyNextDoor.

Josh Rogosin defined the tiny desk sound and has recorded and mixed over 800 shows, including Taylor Swift, Sting and Shaggy, Anderson .Paak, Mac Miller, Nile Rogers, and Bono and the Edge. His mixes have been heard on YouTube over a billion times. Now he’s introducing Global Sound and Ghost Light Concerts, traveling the world to discover how location inspires people to make music.

Li-sa-X is a Japanese female Guitarist/Composer who was born in 2005. Her cover video of RACER X's "Scarified," which she posted when she was 8 years old, garnered more than 5 million views and attracted a lot of worldwide attention. After watching this video, the composer of the song Paul Gilbert (MR. BIG) invited her to join his online guitar school as a scholarship student. She made her professional debut at the age of 12. Her playing technique has been described as “the future of rock."

Santaflow is an artist, composer, producer, entrepreneur, teacher and showman, politically incorrect and with millions of followers around the world (mainly in Spanish-speaking countries). After more than 20 years of career, he feels fitter and more eager than ever to continue creating songs and making them sound better every day. A restless lover of the world of sound, he works with several of the leading brands in the sector.
March 03, 2023
Raul Lopez is a Latin Grammy nominated mixer quickly climbing up the ranks in a vast number of musical genres. While getting his start at Larrabee Studios, Raul gained the connections to become an assistant and eventually go off to be a full time freelance mixer based in Los Angeles, CA. Some of his notable works include acts like: Fletcher, SIX60, and Bipolar Sunshine.

It's been really great working alongside a talented producer like Malay and native band from New Zealand, SIX60, on their past couple of singles. Observing songs come to life between artist and producer has given me so much inspiration in the mixing stage and has allowed me to consistently produce work I am proud of.
I try to specialize in mixing. I've always felt like that is what I am best at and it is helpful when you are trying to cut through such a saturated market. But also working closely with Malay has given me the skills to help artists with their music beyond just mixing, whether it be engineering a session to bring the record home or to simply be a voice of encouragement.
I started as a DJ in high school, playing at house parties when techno and shuffling was becoming a big thing. I feel like I eventually started getting a lot of gigs because I had learned how to read a crowd and knew what songs to play and when. So I was exposed to a lot of cultures with different musical tastes, which I think helps me when working in different genres.
I definitely think working at a studio like Larrabee helped my career for the best. Being there not only showed me how successful mixers operate but it also gave me the perspective to appreciate the process of creating a career from the ground up.
I used to struggle with mixes translating in different sound systems and I have found that working in headphones can lead to better results in both tonal balance and stereo placement. It’s great being able to rely on consistent tools like headphones and I find myself using them more and more.
I've been enjoying experimenting with guitar effect pedals like the Dream Sequence from Hologram Electronics as hardware inserts in my mix sessions. I feel like it's been giving me options that aren't necessarily available in the digital world so it has been my way of adding something unique in a very subtle way.
I am definitely still in the earlier part of my career so I have much to learn myself, however, I would recommend pursuing an apprenticeship with a producer. I feel it has allowed me to develop a much more creative approach to mixing and has been very rewarding understanding my role as a mixer in the eyes of a producer and artist.
Headphones have been part of my workflow since day one. It's how I get edits done when I am on the go and they help me make sonic decisions that I can trust will translate as I envision them to.
The LCD-X's have totally changed the way I work! They've opened my eyes to a whole new level of detail and reliability that I honestly can't live without now. They played such an essential role in mixing Six60's latest album Castle St and I am so excited to keep exploring the rest of Audeze's headphone lineup. I was recently nominated in the 2022 Latin Grammy’s for Best Engineered and Best New Album with an artist named Elsa Y Elmar in the album Ya No Somos Los Misomos.
