
Angie Randisi is a highly acclaimed recording engineer and mixer from Canada, with three Grammy nominations and multiple platinum records to her name. Known for her technical prowess and keen ear, Angie has worked with some of the biggest names in the industry, including Lil Baby, Young Thug, Tory Lanez, 42 Dugg, Glorilla, and PartyNextDoor.

Josh Rogosin defined the tiny desk sound and has recorded and mixed over 800 shows, including Taylor Swift, Sting and Shaggy, Anderson .Paak, Mac Miller, Nile Rogers, and Bono and the Edge. His mixes have been heard on YouTube over a billion times. Now he’s introducing Global Sound and Ghost Light Concerts, traveling the world to discover how location inspires people to make music.

Li-sa-X is a Japanese female Guitarist/Composer who was born in 2005. Her cover video of RACER X's "Scarified," which she posted when she was 8 years old, garnered more than 5 million views and attracted a lot of worldwide attention. After watching this video, the composer of the song Paul Gilbert (MR. BIG) invited her to join his online guitar school as a scholarship student. She made her professional debut at the age of 12. Her playing technique has been described as “the future of rock."

Santaflow is an artist, composer, producer, entrepreneur, teacher and showman, politically incorrect and with millions of followers around the world (mainly in Spanish-speaking countries). After more than 20 years of career, he feels fitter and more eager than ever to continue creating songs and making them sound better every day. A restless lover of the world of sound, he works with several of the leading brands in the sector.
June 19, 2020
"I’ll be the first to admit that when I first saw the launch of the Audeze LCD-GX headphone/headset, I was quite skeptical. This was a $899 open-back headphone, made for gamers, with a red and black trim and a giant boom mic. It almost felt like it was a money grab to me, especially after they already had just released the Audeze Mobius at the time, which I was an early adopter for. But time went by and I started hearing some good feedback for it. I was also impressed that they got the weight down to a more manageable and wearable weight, something that I feel is the biggest flaw of the Audeze LCD series lineup. I can’t wear any of them for more than a 30 minutes without physical pain! At least until this one came out…."
"The actual headphone itself sports a more modern look similar to their LCD-4z and LCD-MX4 or the more budget-friendly LCD-1 with a grill style that is more raised and beveled and is integrated directly into the cup structure, unlike the other traditional LCD models with a fastened and flatter plate. Behind the external grill is a popping red colored thick screen that sort of reminds me of drawer liner, at least from how it looks. The red contrasts with the black exterior pretty nicely, and I think it looks a lot better in-person than in the promotional video, which I thought was rather cheesy."
"I was taken aback when I first put on the GX and turned on some music. I honestly didn’t know what to expect as I hadn’t read too much about these and only heard some brief impressions from owners. But I was rather surprised at what I heard. I felt like this is what I was expecting the LCD-X to sound like, at least in tonality. It does feel a little less technical than the bright/neutral LCD-X, but this GX has a nice balanced sound that still sounds like an Audeze, but with a more neutral tilt. It still has a warmer sound signature, but no where thick and sometimes dark sounding as some of the others in the LCD series (sans X) that I’ve tried, and this aligns a lot closer to my preferences."