Rayshaun Thompson is a film composer, record producer and EMMY nominee whose work spans a wide spectrum, but always aims to stir emotions and create a strong vibe.
Chris Henderson is the owner and designer for Hendyamps studio gear and guitar amplifiers, a platinum certified mastering engineer, musician, music sync artist, score composer, studio owner, and videographer.
David Sanford has composed, arranged and studied music for over 45 years and is currently the Elizabeth T. Kennan Professor of Music at Mount Holyoke College.
Claudia Engelhart has been doing live sound for over 40 years, and has been the Sound Engineer/Tour Manager for Bill Frisell since 1990.
June 19, 2020
"I’ll be the first to admit that when I first saw the launch of the Audeze LCD-GXheadphone/headset, I was quite skeptical. This was a $899 open-back headphone, made for gamers, with a red and black trim and a giant boom mic. It almost felt like it was a money grab to me, especially after they already had just released the Audeze Mobius at the time, which I was an early adopter for. But time went by and I started hearing some good feedback for it. I was also impressed that they got the weight down to a more manageable and wearable weight, something that I feel is the biggest flaw of the Audeze LCD series lineup. I can’t wear any of them for more than a 30 minutes without physical pain! At least until this one came out…."
"The actual headphone itself sports a more modern look similar to their LCD-4z and LCD-MX4 or the more budget-friendly LCD-1 with a grill style that is more raised and beveled and is integrated directly into the cup structure, unlike the other traditional LCD models with a fastened and flatter plate. Behind the external grill is a popping red colored thick screen that sort of reminds me of drawer liner, at least from how it looks. The red contrasts with the black exterior pretty nicely, and I think it looks a lot better in-person than in the promotional video, which I thought was rather cheesy."
"I was taken aback when I first put on the GX and turned on some music. I honestly didn’t know what to expect as I hadn’t read too much about these and only heard some brief impressions from owners. But I was rather surprised at what I heard. I felt like this is what I was expecting the LCD-X to sound like, at least in tonality. It does feel a little less technical than the bright/neutral LCD-X, but this GX has a nice balanced sound that still sounds like an Audeze, but with a more neutral tilt. It still has a warmer sound signature, but no where thick and sometimes dark sounding as some of the others in the LCD series (sans X) that I’ve tried, and this aligns a lot closer to my preferences."