Rayshaun Thompson is a film composer, record producer and EMMY nominee whose work spans a wide spectrum, but always aims to stir emotions and create a strong vibe.
Chris Henderson is the owner and designer for Hendyamps studio gear and guitar amplifiers, a platinum certified mastering engineer, musician, music sync artist, score composer, studio owner, and videographer.
David Sanford has composed, arranged and studied music for over 45 years and is currently the Elizabeth T. Kennan Professor of Music at Mount Holyoke College.
Claudia Engelhart has been doing live sound for over 40 years, and has been the Sound Engineer/Tour Manager for Bill Frisell since 1990.
May 15, 2019
"The LCD-2F presents a linear bass with a deep extension down to 10hz. Extremely tight and precise! I was a bit disappointed to notice how neutral the midbass impact was when I first heard these. The LCD2-F are not for basshead, but I’m not sure they could even satisfy people looking for above average impact, despite the superb extension."
"The midrange of the Fazor sounds full and I don’t notice any big lack of presence in the upper midrange (1 to 3khz). There is an overall presence and richness, making them lively without having noticeable peaks."
"The Classic is extremely close to the LCD-2F regarding soundstage. Both have good, but not impressive sense of imaging; the LCD-2C is more performing here, I guess because of its laid-back nature. Instruments’ localization on the stage seem better on the Classic, along with excellent depth."
Read more at https://www.headphonesty.com/2018/06/review-audeze-lcd-2-classic-fazor/