
Angie Randisi is a highly acclaimed recording engineer and mixer from Canada, with three Grammy nominations and multiple platinum records to her name. Known for her technical prowess and keen ear, Angie has worked with some of the biggest names in the industry, including Lil Baby, Young Thug, Tory Lanez, 42 Dugg, Glorilla, and PartyNextDoor.

Josh Rogosin defined the tiny desk sound and has recorded and mixed over 800 shows, including Taylor Swift, Sting and Shaggy, Anderson .Paak, Mac Miller, Nile Rogers, and Bono and the Edge. His mixes have been heard on YouTube over a billion times. Now he’s introducing Global Sound and Ghost Light Concerts, traveling the world to discover how location inspires people to make music.

Li-sa-X is a Japanese female Guitarist/Composer who was born in 2005. Her cover video of RACER X's "Scarified," which she posted when she was 8 years old, garnered more than 5 million views and attracted a lot of worldwide attention. After watching this video, the composer of the song Paul Gilbert (MR. BIG) invited her to join his online guitar school as a scholarship student. She made her professional debut at the age of 12. Her playing technique has been described as “the future of rock."

Santaflow is an artist, composer, producer, entrepreneur, teacher and showman, politically incorrect and with millions of followers around the world (mainly in Spanish-speaking countries). After more than 20 years of career, he feels fitter and more eager than ever to continue creating songs and making them sound better every day. A restless lover of the world of sound, he works with several of the leading brands in the sector.
May 15, 2019
"The LCD-2F presents a linear bass with a deep extension down to 10hz. Extremely tight and precise! I was a bit disappointed to notice how neutral the midbass impact was when I first heard these. The LCD2-F are not for basshead, but I’m not sure they could even satisfy people looking for above average impact, despite the superb extension."
"The midrange of the Fazor sounds full and I don’t notice any big lack of presence in the upper midrange (1 to 3khz). There is an overall presence and richness, making them lively without having noticeable peaks."
"The Classic is extremely close to the LCD-2F regarding soundstage. Both have good, but not impressive sense of imaging; the LCD-2C is more performing here, I guess because of its laid-back nature. Instruments’ localization on the stage seem better on the Classic, along with excellent depth."
Read more at https://www.headphonesty.com/2018/06/review-audeze-lcd-2-classic-fazor/