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Antonio Lizana - Una realidad diferente
Daniel Garcia Diego - Via de la plata
Pablo Martin Caminero - Bost
Miron Rafajlovic - Trubadur
Moises P. Sanchez - Bach re inventions
Pepe R. Angela Cervantes - Olas y Arenas
When I’m working as a sound engineer with other artists I’m the sound guide they rely on, while recording, mixing or mastering. As an active musician I know that the main goal is to hear your music as intended in your imagination. This is what I’m trying to achieve when I’m working with other colleagues. To try to make the crossfade between music and the tech part as smooth as possible.
I started playing the piano at 8, then drums/percussion and simultaneously getting into recording while studying music. Mostly being attracted to acoustic music, Jazz / RnB / Latin, but also a big chunk was the influence of the Austrian/Viennese electronic music scene, where I learned a lot from great producers.
In general everything that’s musically good and sounding great, but that’s also very subjective. But as an event, in the early 2000s I would say due to the digitalisation of sound and recording, tight drums and bass with that extended frequency range that was not possible to hear before, at least not in detail.
And in the last 15 years everything that’s connected to the Latin / Afro / Flamenco / Jazz music scene.
Just if technology is in your way while you try to be creative! This is really getting better and better over the last 15 years.
I recommend headphones you can rely on, a Macbook, soundcard, and knowing what you are doing with software (or hardware, doesn’t matter... ). Trust your ears!
Be patient and do your best. Listen to good music and surround yourself with people with great energy. Now is the time, it’s never been easier and cheaper to make music on a very high level.
Bought my first mixing headphones in 2007, and switched to full headphone mixing in 2012. I do not just work with my headphones, I also listen to music and other stuff with them, to get to know them as good as possible.
The LCD-X became my main tool. Not starting nor finishing a mix without them.
My Audeze LCD-X have become my main reference headphones, I gained confidence.
I remember the first time finishing a mix, listening back in my studio on my tuned monitors and room, and not wanting to change anything, especially in the low end. It blew my mind.
I did Alfredo Rodriguez' Album Coral Way on the MM-500 (only).
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